Audiotur Self-portrait
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On the self-portraits it is difficult to penetrate into the real depth of the artist's individuality as shades for tendentious "self-creation" always happen. What is immutable and inmost both can be covered and can be disguised by the artist. The only criteria of the artistic value of the paintings of Isabekyan is the artistic completeness, veracity, aiming at not so much likeness as the paining re-portraying. Even in this case, the painter values the identifiableness as the primary prerequisite for the watcher.
Turstopp
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Self-Portrait. 1939, Cardboard, Oil on Canvas, 44×33, Family Property
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Self-Portrait. 1944, Oil on Canvas, 53×53, Family Property
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Self-Portrait. 1973-74, Oil on Canvas, 90×70, Family Property
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Self-Portrait.1974, Paper, Mixed Media, 59 × 41, Family Property
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Self-Portrait. 1994, Oil on Canvas, 50×41, Family Property
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Self-Portrait. 1962, Oil on Canvas, Cardboard, 45×67, National Gallery of Armenia
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Self-Portrait. 1964, Oil on Canvas, 90×70
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Self-Portrait. 1975, Oil on Canvas, 43,5 x 37,5, National Gallery of Armenia
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Self-Portrait. 1943, Oil on Canvas, 55,5×42, Eduard Isabekyan Gallery
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Self-Portrait. 1965, Oil on Canvas, 130×102, Eduard Isabekyan Gallery
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Self-Portrait. 1984, Oil on Canvas, 106×75, Eduard Isabekyan Gallery
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