Audioguida

Audioguida Germi's streets - Ecomuseum of the 5 senses of Sciacca

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5 attrazioni

  1. Sommario Auditour
  2. Sommario Auditour

    This path is dedicated to Italian director, scriptwriter, actor, and cinematographic producer
    Pietro Germi.
    The city of Sciacca was made a film set twice, both visually and physically involving the
    territory of Sciacca with its streets, squares, and buildings.
    In the frames of the 1949 “In Nome della Legge” and of 1964 "Sedotta e Abbandonata"
    Pietro Germi has used as a set the urban and social context of Sciacca.
    “You could really see a magical sense, a great depth. Sciacca is the product of the human
    work through the centuries, it is beautiful, but also for this reason, for the overlaps coming
    from nature, it is like the surviving of humans through centuries, you can feel the human
    everywhere" (Pietro Germi)
    The path leads both the tourist and the cinephile to visit the dedicated works and the
    places of the films.

     

    Translated by Francesco Ferrara

  3. 1 Onore e Famiglia
  4. 2 Agnese
  5. 3 Sicilia, Amore mio!
  6. 4 At the Bar. "Cono Gelato"
  7. 5 The silhuette. Come togliere il cappello
  1. Sommario Auditour

    This path is dedicated to Italian director, scriptwriter, actor, and cinematographic producer
    Pietro Germi.
    The city of Sciacca was made a film set twice, both visually and physically involving the
    territory of Sciacca with its streets, squares, and buildings.
    In the frames of the 1949 “In Nome della Legge” and of 1964 "Sedotta e Abbandonata"
    Pietro Germi has used as a set the urban and social context of Sciacca.
    “You could really see a magical sense, a great depth. Sciacca is the product of the human
    work through the centuries, it is beautiful, but also for this reason, for the overlaps coming
    from nature, it is like the surviving of humans through centuries, you can feel the human
    everywhere" (Pietro Germi)
    The path leads both the tourist and the cinephile to visit the dedicated works and the
    places of the films.

     

    Translated by Francesco Ferrara

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