Leaving woman. 1964, oil on canvas, 50×70
In chamber work ''Leaving woman'' Isabekyan reaches the impression of silence with rich, extraordinary coloration of painting and emphasizes it as a separate topic. The woman is walking next to the viewer completely self-contained, through unreal space, with unrealistic difference. This "process" is perceived as real "leaving" according to the name of the work and imperative dictation of compositional structure.
Dress that is thrown forward by the wind shows the only possible course of the process; the way to darkness, cold rotation of woman dress is a symbol of indefinite infinity.
The canvas is fully saturated with the shades of blue color. With intuition of inevitable rude course, blue-dark coldness catches the waist of the woman, absorbs the last glimmers of her heat and grabs the soft curves of her shapes.
Image of the walking woman wearing the dress with red and white underside symbolizes the last beat and blue-violet sparkle of the essence-movement-time.